S·温伯格 1933年出生，1954年毕业于康奈尔大学。1979年因弱电统一理论与格拉肖和萨拉姆分享当年诺贝尔物理学奖。他是美国科学院院士、文学和科学院士，英国皇家学会外籍会员，国际天文学会会员，美国哲学和科学史学会会员，美国中世纪学会会员。曾任美国军备控制和裁军机构顾问，美国防御分析研究所顾问等职。他的《广义相对论与引力论》、《最初三分钟》等书曾风行世界。

S·温伯格 1933年出生，1954年毕业于康奈尔大学。1979年因弱电统一理论与格拉肖和萨拉姆分享当年诺贝尔物理学奖。他是美国科学院院士、文学和科学院士，英国皇家学会外籍会员，国际天文学会会员，美国哲学和科学史学会会员，美国中世纪学会会员。曾任美国军备控制和裁军机构顾问，美国防御分析研究所顾问等职。他的《广义相对论与引力论》、《最初三分钟》等书曾风行世界。

S·温伯格 1933年出生，1954年毕业于康奈尔大学。1979年因弱电统一理论与格拉肖和萨拉姆分享当年诺贝尔物理学奖。他是美国科学院院士、文学和科学院士，英国皇家学会外籍会员，国际天文学会会员，美国哲学和科学史学会会员，美国中世纪学会会员。曾任美国军备控制和裁军机构顾问，美国防御分析研究所顾问等职。他的《广义相对论与引力论》、《最初三分钟》等书曾风行世界。

S·温伯格 1933年出生，1954年毕业于康奈尔大学。1979年因弱电统一理论与格拉肖和萨拉姆分享当年诺贝尔物理学奖。他是美国科学院院士、文学和科学院士，英国皇家学会外籍会员，国际天文学会会员，美国哲学和科学史学会会员，美国中世纪学会会员。曾任美国军备控制和裁军机构顾问，美国防御分析研究所顾问等职。他的《广义相对论与引力论》、《最初三分钟》等书曾风行世界。

The Nobel Prize-winning physicist describes the quest for a unifying theory of nature--one that explains events such as the pull of gravity and the cohesion inside of an atom. By the author of The First Three Minutes. Reprint. 25,000 first printing.

The Nobel Prize-winning physicist describes the quest for a unifying theory of nature--one that explains events such as the pull of gravity and the cohesion inside of an atom. By the author of The First Three Minutes. Reprint. 25,000 first printing.

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: t...(展开全部)

Eco's treatment demonstrates his mastery of the field of semiotics. It focuses on the twin problems of the doctrine of signs—communication and signification—and offers a highly original theory of sign production, including a carefully wrought typology of signs and modes of production.